The End of the Netflix-ization of TV and the Beginning of a New Streaming Bundle
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“In 2016..China formally banned K-pop…The ban, ironically, turned many former K-pop stars back into Chinese celebrities whose K-pop influence is still being felt.”
“The K-pop ban both is and isn’t about Korea. It began as a response to a US-Korea missile deal, but really embodied disapproval of three things the Chinese government perceived as tied to K-pop culture: the encroaching influence of US individualism, over-zealous fanbases, and effeminate men.
That last one is a major part of the K-pop ban, which forbids men from wearing earrings and excessive makeup on live TV.”
“Dan Chen researches authoritarian politics at the University of Richmond. She told Vox that the CCP’s fixation on masculinity is a recent byproduct of Xi’s growing nationalism — because “nationalism is a very masculine ideology.” Framing foreign influences like K-pop as anti-masculine plays right into Xi’s narrative of an idealized China that’s strong physically as well as economically and politically. Toward this end, the government has worked to eradicate effeminacy in schoolchildren and promoted images of strong, muscular soldiers as the masculine ideal.”
“It came like a bolt from the blue, a gift from the heavens. In 1986, audiences flocked to theaters to see Tony Scott’s Top Gun, starring a fresh-faced Tom Cruise as Pete “Maverick” Mitchell, a hotshot Navy aviator bent on stardom. They kept coming for seven months. When the dust settled, the film had brought in over $176 million. Unlike its protagonist, who came in second at the eponymous elite flight academy, the film ended 1986 the top earner of the year.
But for the Navy, Top Gun was more than just a movie. It was a recruitment bonanza.
Military recruiting stations were set up outside movie theaters, catching wannabe flyboys hopped up on adrenaline and vibes. Others enlisted on their own. Interest in the armed forces, primarily the Navy and the Air Force, rose that year, though it’s unclear just how much. Naval aviator applications were claimed to have increased by a staggering 500 percent.”
“In China, films are reviewed by the China Film Administration under the Publicity Department of the Chinese Communist Party (CCP). Chinese authorities initially wanted Sony and Marvel Studios to take out the American landmark, which is prominently featured during the film’s third act, according to multiple sources.
Chinese regulators reportedly modified the original request to remove the action-packed sequence, instead asking for the removal of certain shots from the sequence that they deemed too “patriotic,” such as the scenes where Tom Holland’s Spider-Man stands on the Statue of Liberty’s crown. The regulators also suggested dimming the parts when the statue is shown to make it less noticeable.
Sony ultimately rejected the request, resulting in Chinese authorities preventing the latest Spider-Man film from being released in the biggest film market in the world. The film lost a potential $170 million-$340 million in sales from China, according to reports.”